gabra ibrahim gabra; from modernism to postmodernism

Capitalism, Modernism and Postmodernism

(NLR 146), Fredric Jameson argues that pastiche, rather than parody, is the appropriate mode of postmodernist culture. ‘Pastiche’, he writes, ‘is, like parody, the imitation of a peculiar mask, speech in a dead language; but it is a neutral practice of such mimicry, without any of parody’s ulterior motives, amputated of the satiric impulse, devoid of laughter and of any conviction that alongsid...

Tacit Knowing--between Modernism and Postmodernism: a Problem of Coherence

In this paper I address myself to two issues concerning Polanyi’s epistemology. The first is that notwithstanding his critique of objectivism and his post-critical perspective, Polanyi remains firmly rooted in the tradition of the Enlightenment. To put this somewhat differently, I think that although he may be regarded as an early postmodernist, he may be seen also as someone who tried to do a ...

Existentialism and psychoanalysis: from antiquity to postmodernism.

The term “existentialism” is so ambiguous that it has essentially become a meaningless word: it is associated with a number of disparate philosophical doctrines, social-political movements, and artistic sensibilities, that it becomes slippery to pin down its core philosophical tenets to such a degree that an undertaking of this kind would be no less rendered moot. We may nevertheless say that e...

Critical Perspectives on Television from the Frankfurt School to Postmodernism

Paul Lazarsfeld (1942), one of the originators of modern communications studies, distinguished between what he called a "administrative research," that deployed empirical research for the goals of corporate and state institutions, and “critical research,” that he associated with the Frankfurt School. Critical research situates the media within the broader context of social life and interrogates...

Modernism in Tunisia; from formation to the emergence of a critical view to modernity (1881-1937)

Tunisia became acquainted with modernism in the early nineteenth century, due to relation with Egypt and Ottoman, and interaction with France, which were of the main origins of modernism. Modernism in Tunisia began with the renovations of Ahmed Bey (d. 1837-1855). This modernism continued until the beginning of French colonization (1881) and the emergence of critical views to modernity. Tunisia...

Imperial masculinities from late Victorianism to early global modernism